About me

AnimeSY interview with Marta CippolitiAnimeSY interview with Marta Cippoliti Aziz is a published, in-demand arranger and composer who writes and arranges music across every genre — classical, film, pop, jazz, and everything in between — for ensembles of every kind, from solo instruments to full orchestras. Among his projects, he is the sole arranger behind AnimeSY, which reimagines anime soundtracks as full orchestral works, performed live by a professional orchestra — bringing the music of anime into the concert hall as a real symphonic experience.

On stage with The WhoOn stage with The Who AnimeSY at the Berlin PhilharmonieAnimeSY at the Berlin Philharmonie His arrangements have been performed by the Symphony of the Americas, Orquestra Simfònica de les Illes Balears, CAP PELA, QuitoCellos, Amadeus Music Group, and Stella Strings, Palm Beach Symphony musicians, with his works currently performed across the United States and around the world — including in Germany, Spain, Switzerland, Austria, Romania, Türkiye, Ecuador, Bulgaria, and Uzbekistan.

On stage with James Newton HowardOn stage with James Newton HowardBackstage with Andy BrickBackstage with Andy Brick Aziz has been interested in writing and rewriting music since childhood, and studied orchestration and composition throughout his higher education years. However, he gained a special affinity for film scoring and multimedia production during his time as a fellow with the Henry Mancini Institute Orchestra, studying film scoring under Carlos Rafael Rivera (The Queen's Gambit) and Chris Boardman (Payback). During his time with the institute he also performed under James Newton Howard.

On the Andrea Bocelli tourOn the Andrea Bocelli tour On stage with BjörkOn stage with Björk Aziz has performed with The Who, Björk, Andrea Bocelli, Lindsey Stirling, Terence Blanchard, Ben Folds, Bernadette Peters, Vince Mendoza, and Maria Schneider, among others, and has shared the stage with Andy Brick (Game On!).

On stage with Pinchas ZukermanOn stage with Pinchas ZukermanIn the classical world, he has appeared alongside Pinchas Zukerman, Renee Fleming, Midori Goto, Joshua Bell, Edgar Meyer, Yefim Bronfman, Placido Domingo, Zuil Bailey, and many other prominent concert musicians.

With conductor Manuel NawriWith conductor Manuel NawriOn stage with Leonidas KavakosOn stage with Leonidas KavakosHe has performed under the baton of Daniel Oren, Manuel Nawri, Gerard Schwarz, Gunther Schuller, and Steven Mercurio, among many others. He appears on numerous recordings — some Grammy and Latin Grammy nominated. Aziz Sapaev is the founding member of the Con Brio String Quartet.

CAP PELA and OSIB in MajorcaCAP PELA and OSIB in Majorca He regularly performs solo and chamber music concerts across the South-Eastern US and the Washington, D.C. / tri-state area, and has performed for multiple U.S. presidents, foreign dignitaries, and Florida Congressmen and Governors.

On stage with Maria João PiresOn stage with Maria João PiresOn stage with Lindsey StirlingOn stage with Lindsey Stirling Aziz's approach to arranging rests on a simple premise: arranging is, at its core, a problem-solving exercise. Every arrangement should solve a problem for someone — and it needs to solve more problems than it creates. Over the course of his performing career, he has sat through countless rehearsals derailed by a decision an arranger or orchestrator made without accounting for the fact that the music would be played by live musicians — music that didn't communicate its intent clearly to the people performing it, and did not account for what the musicians may already know and are used to playing. He writes to eliminate exactly that kind of friction.

With Gunther SchullerWith Gunther SchullerPerforming at Mar-a-LagoPerforming at Mar-a-LagoHis work is guided by three responsibilities, always in this order: a responsibility to the audience, to the performers, and to the original creator. He starts by asking what the audience needs and wants to hear, and which elements of the source material are its defining features for that audience. From there, the question becomes how to best communicate those elements to the musicians, so they can deliver them to the audience as clearly and efficiently as possible. Only then does he run the arrangement through a final filter: does it serve the original creator's intent — does it communicate the mood, character, and feel of the original work?

With cellist Zuil BaileyWith cellist Zuil BaileyAt the Florida State CapitolAt the Florida State CapitolEvery arrangement is written for a specific purpose, for a specific target audience and performers — the same piece can be written very differently depending on who is listening and who is playing it. Aziz weighs factors like whether a piece will be performed live, recorded, or both; whether the venue is a concert hall, an open-air theater, or a school gym; whether the performers are professional musicians, beginner students, or somewhere in between; and whether they're already familiar with the piece's style — jazz musicians playing classical music, or classical musicians playing rock, for example. All of it factors into finding the version of a piece that fits the occasion best.

In rehearsal with Maria SchneiderIn rehearsal with Maria SchneiderHis biggest secret is people — the outstanding musicians and behind-the-scenes collaborators who patiently field his constant questions and do their best to help him make sure what he writes is the best version of what a piece can be. Most of his musician friends know that a text message in the middle of the night along the lines of “how fast can a bassoon play a chromatic run in the mid register?” is not out of the ordinary — and he credits his friends for some of the most creative solutions in his work.

Here are some of my most recent customers

  • Notisymo — A trio of violinists from three countries, sharing classical music with audiences of all kinds.
  • Rock With U — Event music agency and in-stadium DJs — Miami Dolphins, Hurricanes, Formula 1, and the Miami Open.
  • Volta Music Foundation — A 501(c)(3) foundation providing music education and talent-development opportunities to students.
  • Amadeus Music Group — Live music for weddings and events across Florida, Greater Boston, and coastal New England.
  • Stella Strings — Electric and acoustic string ensemble for weddings and corporate events in Miami and South Florida.
  • Stellar Strings — String quartet, trio, and duo for weddings and events in New York City.
  • Elegant Music Collective — Harp and strings for events in South Florida and the Thousand Islands, New York.
  • Master Musicians, Inc. — Award-winning live event music in the South Florida area for over 20 years.

Commissioning a piece?

I'm open to commissions — new arrangements for any ensemble and any occasion, plus re-engraved parts for hard-to-read printed music. Chat with the bot below and I'll get back to you personally.